Yes, we know “kolkata is city of Joy” but Joy comes from music. So lets take a overview of history of bengali Music at a glance.
When it comes to Bengali music, Bengal is called as the base of Indian Classical & contemporary music, Bengali music (Bengali: বাংলা সংগীত) comprises a long tradition of religious and secular song-writing over a period of almost a millennium. Composed with lyrics in the Bengali language, Bengali music spans a wide variety of styles.
The Bengal region of the Indian subcontinent is currently split between the Indian state of West Bengal and the country of Bangladesh. West Bengal is still referred to as Bengal in the rest of India.
History of Bengali Music-
The earliest music in Bengal was influenced by Sanskrit chants, and evolved under the influence of “Vaishnav” poetry such as the 13th-century Gitagovindam by Jayadeva, whose work continues to be sung in many eastern Hindu temples. The Middle Ages saw a mixture of Hindu and Islamic trends when the musical tradition was formalized under the patronage of Sultan and Nawabs and the powerful landlords baro bhuiyans.
Much of the early canon is devotional, as in the Hindu devotional songs of Ramprasad Sen a bhakta(called as chela) who captures the Bengali ethos in his poetic, rustic, and ecstatic vision of the Hindu goddess of time and destruction in her motherly incarnation, Ma Kali. Another writer of the time was Vidyapati. Notable in this devotional poetry is an earthiness that does not distinguish between love in its carnal and devotional forms; some see connections between this and Tantra, which originated sometime in the middle of the first millennium CE.
Form Of Bengali Music- (Gharanas)
1.Bishnupur Gharana (Based on Bankura)
The Bishnupur Gharana is the sole Classical (Drupad) gharana of Bengal. It originated in Bishnupur, Bankura by the court musicians of the Malla Kings. Bahadur Khan of Delhi, a descendant of the Tansen, was the father of Bishnupur Gharana.
The Bauls (meaning “divinely inspired insanity”) are a group of mystic minstrels (Muslim Sufis and Hindu Baishnos) from the Bengal region, who sang primarily in the 17th and 18th centuries. They are thought to have been influenced greatly by the Hindu tantric sect of the Kartabhajas as well as by Muslim Sufi philosophers. Bauls traveled and sang in search of the internal ideal, Moner Manush (Man of the Heart or the inner being), and described “superfluous” differences between religions. Lalon Fakir, alternatively known as Lalon Shah, who lived in the 19th century in and around Kushtia, is considered to be the greatest of all bauls and currently, young musicians are remaking those songs in Bengali & hindi mordern music.
The Bengali devotional songs written and music composed by eighteenth century Bengali saint-poet Ramprasad Sen are called Ramprasadi. They are usually addressed to Hindu goddess Kali.
The Bengali songs composed by Bengali saint, philosopher, and social reformer Lalon are called Lalon Geeti.
The leading proponent of Bengali music is Rabindranath Tagore (known in Bengali as Robi Thakur and Gurudeb, the latter meaning “Respected Teacher” (in the Bengal of that time, the suffix ‘deb’ was an honorific, ascribed to people who enjoyed immense respect, but this title was primarily used by his students at Santiniketan, though many others did use the address, Tagore was a prolific composer with around 2,230 songs to his credit. His songs are known as rabindrasangit (“Tagore Song”), which merges fluidly into his literature, most of which — poems or parts of novels, stories, or plays alike — were lyricised. Influenced by the thumri style of Hindustani music, they ran the entire gamut of human emotion, ranging from his early dirge-like Brahmo devotional hymns to quasi-erotic compositions. They emulated the tonal colour of classical ragas to varying extents. Some songs mimicked a given raga’s melody and rhythm faithfully; others newly blended elements of different ragas. Yet about nine-tenths of his work was not bhanga gaan, the body of tunes revamped with “fresh value” from select Western, Hindustani, Bengali folk and other regional flavours “external” to Tagore’s own ancestral culture. His music is an exemplary instance of ‘kavya-geeti’, a style of composition that later found widespread use in the music industries at Bombay and Calcutta.
In 1971, Amar Shonar Bangla became the national anthem of Bangladesh. It was written — ironically — to protest the 1905 Partition of Bengal along communal lines: cutting off the Muslim-majority East Bengal from Hindu-dominated West Bengal was to avert a regional bloodbath. Tagore saw the partition as a cunning plan to stop the independence movement, and he aimed to rekindle Bengali unity and tar communalism. Jana Gana Mana was written in shadhu-bhasha, a Sanskritised form of Bengali, and is the first of five stanzas of the Brahmo hymn Bharot Bhagyo Bidhata that Tagore composed. It was first sung in 1911 at a Calcutta session of the Indian National Congress and was adopted in 1950 by the Constituent Assembly of the Republic of India as its national anthem.
For Bengalis, the songs’ appeal, stemming from the combination of emotive strength and beauty described as surpassing even Tagore’s poetry, was such that the Modern Review observed that “ there is in Bengal no cultured home where Rabindranath’s songs are not sung or at least attempted to be sung… Even illiterate villagers sing his songs”. Tagore influenced sitar maestro Vilayat Khan and sarodiyas Buddhadev Dasgupta and Amjad Ali Khan.
Most of his musical poems are detailed in two series of books — the Gitabitan (that only has the texts of the poems) and the Swarabitan (that has the poems and their musical notation). However, there exist several poems of his that are set to music, and yet find no mention in either of the above. These are handed down from his students to their students and so on.
Some of the notable exponents of Rabindrasangeet are Shantideb Ghosh, Debabrata Biswas, Pankaj Kumar Mullick, Kalim Sharafi, Kanika Bandyopadhyay, Rajeshwari Datta, Malati Ghoshal, Nilima Sen, Suchitra Mitra, Aditi Mohsin, Rezwana Choudhury Bannya, Subinoy Roy, Chinmoy Chatterjee, Hemanta Mukhopadhyay, Dwijen Mukhopadhyay, Sagar Sen, Santosh Thakur, Purabi Mukhopadhyay, Kabir Suman, Banani Ghosh, Mita Haque, Indrani Sen, Srikanto Acharya, Shreya Guhathakurta Sahana Bajpaie and Mohan Singh.
Another influential body of work is that of Kazi Nazrul Islam, which constitutes what is known as Nazrul geeti. Some of the notable Nazrulgeeti singers from India include Suprova Sircar, Dhirendra Chandra Mitra, Manabendra Mukhopadhyay, Dr. Anjali Mukhopadhyay, Dhiren Bose, Adhir Bagchi, Purabi Dutta, Firoza Begum, Anup Ghoshal, and, Bangladeshi singer Sohrab Hossain.
Shyama Sangeet is a genre of Bengali devotional songs dedicated to the Hindu goddess Shyama or Kali which is a form of supreme universal mother-goddess Durga or parvati. It is also known as Shaktagiti or Durgastuti. Shyama Sangeet appeals to the common man because it is a musical representation of the relationship of eternal and sublime love and care between the mother and her child. It is free of the common rituals of worship and also the esoteric practice of the Tantra. A notable singer is Pannalal Bhattacharya.
Dwijendralal Ray’s Dwijendrageeti (the Songs of Dwijendralal), which number over 500, create a separate subgenre of Bengali music. Two of Dwijendralal Ray’s most famous compositions are Dhana Dhanya Pushpa Bhara and Banga Amar Janani Amar. Ray is regarded as one of the most important figures in early modern Bengali literature.
Atulprasadi, one of the major lyricist and composers of early-modern period, is also widely popular in Paschimbanga. Atul Prasad is credited with introducing the Thumri style in Bengali music. His songs centred on three broad subjects: patriotism, devotion and love.
Other popular music patterns are-Bhatiali,Bhawaiya,Dhamail,Gombhira,Kavigan,Jatra Pala
Mordern Bengali Music
Modern Bengali music has been enriched by Indian singers like Jaganmoy Mitra (1918–2003) (who is considered a pioneer of modern song), as well as artists such as Hemanta Kumar Mukhopadhyay, Manabendra Mukhopadhyay, Sandhya Mukhopadhyay, Manna Dey, Sachin Dev Burman, Rahul Dev Burman, Bhupen Hazarika, Lata Mangeshkar, Asha Bhonsle, Talat Mehmood, Kishore Kumar, Aarti Mukherji, Kabir Suman, Amit Kumar, Shibaji Chatterjee, Kumar Sanu, Dhananjay Bhattacharya, Shyamal Mitra, Shreya Ghoshal, Mitali Mukherjee, Dwijen Mukhopadhyay, Manabendra Mukhopadhyay, Sachin Gupta, Subir Sen, Uma Bose, Kanan Devi, Utpala Sen, Alpana Banerjee, Sabita Chowdhury
Tapan Chowdhury, Azam Khan, Abdul Jabbar, Ferdousi Rahman, Khurshid Alam, Bashir Ahmad, Syed Abdul Hadi, Shahnaz Rahmatullah, Kalim Sharafi, Abida Sultana, Kanak Chapa, Shakila Zafar, Samina Chowdhury, Kumar Biswajit, Arnob, Farida Parveen, Andrew Kishore, James, Ayub Bachchu, Mila, Anusheh Anadil, Sabina Yasmin, and Runa Laila, Rupam Islam (Fossils), Upal and Aninda(Chandrabindu) , Sidhartha (Sidhu from Cactus), Surojit (Bhumi Bangla Band)all hailing from Bangladesh and west bengal.
Krishna Chandra Dey and Pannalal Bhattacharya, were famous for their renditions of devotional songs, while Abbasuddin Ahmed, Kiran Chandra Roy, Amar Pal were stalwarts in singing Bengali folk music.
Bengali music is highly indebted to Lalon, Rabindranath Tagore , Kazi Nazrul Islam and Jasim Uddin.
All traditional Bengali music is based on classical music or on its variations. Some of the most reputed classical musicians of the sub-continent come from Bengal including Ustad Allauddin Khan, Tarapada Chakraborty, Pandit Jnan Prakash Ghosh (1909–1987), Pandit Ravi Shankar, Pandit Manas Chakraborty, Ustad Ayet Ali Khan and Ustad Abed Hossain Khan.
Notable Bengali music composers active in Calcutta (Kolkata) in the 1930s through the 1980s include Himangshu Dutta, Kamal Dasgupta, Rai Chand Boral, Pankaj Kumar Mullick, Anupam Ghatak, Sachin Dev Burman, Rahul Dev Burman Nachiketa Ghosh, Hemanta Kumar Mukhopadhyay, Salil Chowdhury, Sudhin Dasgupta, Shyamal Mitra, Kabir Suman Ajoy Das, and Bappi Lahiri, while Pranab Roy, Gouri Prasanna Majumdar, Kabir Suman and Pulak Bandyopadhyay were well-known lyricists. Jeet Ganguly is a modern music composer of Bengali film songs and Bollywood songs.